Now lemme try. Say--I'll give
you the core of my apple."
"Well, here--No, Ben, now don't. I'm afeard--"
"I'll give you ALL of it!"
Tom gave up the brush with reluctance in his face, but alacrity in his
heart. And while the late steamer Big Missouri worked and sweated in
the sun, the retired artist sat on a barrel in the shade close by,
dangled his legs, munched his apple, and planned the slaughter of more
innocents. There was no lack of material; boys happened along every
little while; they came to jeer, but remained to whitewash. By the time
Ben was fagged out, Tom had traded the next chance to Billy Fisher for
a kite, in good repair; and when he played out, Johnny Miller bought in
for a dead rat and a string to swing it with--and so on, and so on,
hour after hour. And when the middle of the afternoon came, from being
a poor poverty-stricken boy in the morning, Tom was literally rolling
in wealth. He had besides the things before mentioned, twelve marbles,
part of a jews-harp, a piece of blue bottle-glass to look through, a
spool cannon, a key that wouldn't unlock anything, a fragment of chalk,
a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six
fire-crackers, a kitten with only one eye, a brass doorknob, a
dog-collar--but no dog--the handle of a knife, four pieces of
orange-peel, and a dilapidated old window sash.
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